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The Necessary Shakespeare, 2nd Edition, by William Shakespeare
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Extracted from the best-selling Complete Works of Shakespeare, 5/e by David Bevington, The Necessary Shakespeare offers the most comprehensive scholarly apparatus, with the most often taught—necessary—of Shakespeare's work, creating a truly concise yet complete anthology. This anthology provides extensive introductions to the plays and poems-offering discussion topics, sources for each play, and the stage history of performances. Readers interested in Shakespeare.
- Sales Rank: #241835 in Books
- Published on: 2004-07-17
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.86" h x 1.28" w x 7.82" l, 2.93 pounds
- Binding: Paperback
- 1136 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
Would Rather Buy Each Book Individually
By T_Dog_G
I had to buy this book for my Shakespeare class, obviously. But I would much rather buy each book individually, because highlighting the words in this book is not effective. The highlighting really shows through. The Folger Library Books are the way to go for Shakespeare plays.
0 of 0 people found the following review helpful.
Great Christmas Gift!
By David E. Frenzel
Met the needs of our son's request on his Christmas list. He was very happy with our selection and has truly enjoyed the book.
28 of 33 people found the following review helpful.
More Politically Correct?
By Q
This is an excellent alternative to THE COMPLETE SHAKESPEARE edited by Bevington. It has all the major plays that are likely to be taught in a college course, except for Henry IV part 2. The footnotes are easily accessible, and will answer almost any question you have about Shakespeare's language, while remaining concise and not overlong and pedantic. The introductions are marvelous, discussing the most important issues of interpretation, as well as the critical history and stage and even recent movie versions. The general introductory essays are also wonderful, introducing students to Shakespeare's life and time, the historical, social, and political context, as well as the drama and theater of the era. There are also some nice color illustrations from Renaissance England.
The "introductions" to individual plays in this edition have been revised and updated, in part because, Bevington explains, "Introductory essays need to be open to recent as well as more traditional critical approaches." Readers might well be afeared that Bevington has revised his introductions to be more "politically correct," as the review below suggests. I decided to test this hypothesis by comparing and contrasting 4 revised introductions with the originals. 12th Night: Bevington's revised introduction gives more attention to possible homosexual suggestions in the play, and "the socially constructed nature of sexual difference" (192). Yet even in the discussion of a possible homosexual love between Sebastian and Antonio, Bevington warns us that "expressions of warmth between men seem to have been more common in Elizabethan times than today" (192). Homophobia is a modern fear. Bevington's revisions in this case actually seem completely justified and balanced. The revised Hamlet introduction adds a valuable discussion of recent stage and film versions, but is otherwise the same. Macbeth adds a substantial and valuable paragraph on the contemporary English political context of the play, and a discussion of stage and film versions. Tempest, a new paragraph on Shakespeare's language, and a discussion of stage and film versions. Based on these four examples, I would conclude that Bevington's revisions here add substantially to the value of this edition, and do NOT succumb to the imperatives of political correctness or post-modernism.
Buy this edition if you're on a budget, or THE COMPLETE WORKS OF SHAKESPEARE, also edited by Bevington, if you can afford it. They are the best!
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