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In Feminine Gospels, Carol Ann Duffy draws on the historical, the archetypal, the biblical and the fantastical to create various visions – and revisions – of female identity. Simultaneously stripping women bare and revealing them in all their guises and disguises, these poems tell tall stories as though they were true confessions, and spin modern myths from real women seen in every aspect – as bodies and corpses, writers and workers, shoppers and slimmers, fairytale royals or girls-next-door.
‘Part of Duffy’s talent – besides her ear for ordinary eloquence, her gorgeous, powerful, throwaway lines, her subtlety – is her ventriloquism . . . From verbal nuances to mind-expanding imaginative leaps, her words seem freshly plucked from the minds of non-poets – that is, she makes it look easy’ Charlotte Mendelson, Observer
‘Nobody is ever going to need to be told how to enjoy a Carol Ann Duffy poem . . . She is an inspired reinterpreter of myth and a fertile creator of fables of her own’ Evening Standard
‘Carol Ann Duffy is arguably the nation’s favourite living poet’ Jeanette Winterson
- Sales Rank: #1598284 in eBooks
- Published on: 2012-12-13
- Released on: 2012-12-13
- Format: Kindle eBook
From Booklist
One of Britain's premiere poets here does what she does best, joining wild, surrealistic imagery and pointillist detail to create sharply realized, visionary poems. This collection emphasizes a frequent theme in Duffy's work: the power and complexity of feminine archetypes. Some of the characters who occupy these poems are familiar--Cleopatra, Marilyn Monroe, the Virgin Mary, Elizabeth I--but more are Duffy's inventions, such as the woman whose hometown was etched like a tattoo across her body, and the woman who dieted herself down to microscopic size. Clever conceits all, but Duffy never settles for mere cleverness. Her poetic technique is sure and subtle: long, gamboling lines seem casual but scan as exacting iambic pentameter; word choices seem conversational but express internal rhymes. A masterful long poem in which the entire student body of a girls' school becomes convulsed with laughter and changes the teachers' lives shows Duffy's skill at its peak. Shorter lyrics, some erotic and others tender, round out a mature and compelling collection. Patricia Monaghan
Copyright � American Library Association. All rights reserved
Review
'Dazzling... Duffy deserves to outsell most of the novelists on your shelf' Observer 'One of the most important, and rightly loved, poets of our time' Independent 'In the world of British poetry, Carol Ann Duffy is a superstar' Guardian 'Witty, penetrating and lucid... Duffy's ingenuity and virtuosity are fully on display' Evening Standard
About the Author
Carol Ann Duffy lives in Manchester, where she is Professor and Creative Director of The Writing School at Manchester Metropolitan University. She has written for both children and adults, and her poetry has received many awards, including the Signal Prize for Children's Verse, the Whitbread and Forward Prizes, and the Lannan and E. M. Forster Prize in America. In 2005, she won the T. S. Eliot Prize for Rapture. She was appointed Poet Laureate in 2009.
Most helpful customer reviews
3 of 3 people found the following review helpful.
A slow start, on the whole this is an extraordinary collection of humorous, intelligent, beautiful poems. Recommended
By Juushika
A collection of 22 poems, Feminine Gospels can approximately be divided into: poems of sometimes comical feminine traits and archetypes, one long poem, and poems on women and metaphysical matters. It's a wide breadth for such a small book, all written in Duffy's sometimes-playful, sometimes-rhyming, empathetic language. The quality varies, but I believe the book gets better as it goes on. The archetypal poems didn't appeal to me, but the long poem, The Laughter of Stafford Girls' High, is brilliant and justifies the entire collection, and the denser, metaphysical poems that follow are all beautiful. Recommended.
Whether the poems are intentionally divided, I couldn't say--but there seems to be a clear difference between the thirds of the book. The first third explores the lives of beautiful women from Helen of Troy to Marilyn Monroe, a woman who diets herself down to almost nothing, a woman who's subbed for dozens of historical men's roles, and other stories of female traits (shopper, dieter) and archetypes (virgin, crone). Many of these poems share an irreverent, humorous tone; many of them mesh reality with fantastical events in a way that much reminds me of Atwood's The Edible Woman. Personally, I don't identity with any of these feminine archetypes, and I'm not a fan of humor--and so these poems, however skilfully written, left little impression on me. That may be a personal complaint, and other readers may have a better response to this section.
The Laughter of Stafford Girls' High follows. 20 times longer than the other selections, it's the story of laughter which infects a British girl's school, and it's word-perfect: Duffy's unexpected rhymes are an ideal match to the story's laughter and joy, and her voice also lends well to the remarkably sensitive emotional impact that the laughter has on the teachers. Joyous, liberating, empathetic, this long poem is well-rounded and a complete success--it alone justifies picking up this collection. The final third is made up of poems on words, umbilical cords, death, and love--more poetic, more metaphysical topics. Duffy's style curls in on itself, rich and dense; poems may require two or three readings, but they reward that effort: each a quiet, complex, metaphysical study, these poems are thoughtful and beautiful. So while this collection was initially not to my liking, it improves as it goes on and is by the end a distinct success. With such a wide breadth, there should be a poem here for every reader, and Feminine Gospels is a good place to begin with Duffy's work--I was fairly new to her poetry, and found this collection varied, approachable, and a joy to read. I recommend it.
0 of 0 people found the following review helpful.
Four Stars
By kh3030
Highly recommend this writer. Rapture is also a great work.
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