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Medium Raw: A Bloody Valentine to the World of Food and the People Who Cook, by Anthony Bourdain
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[*Read by the author - Anthony Bourdain]
In the years since his classic Kitchen Confidential first alerted us to the idiosyncrasies and lurking perils of eating out, from Monday fish to the breadbasket conspiracy, much has changed for the subculture of chefs and cooks, for the restaurant business-- and for Anthony Bourdain. Medium Raw explores these changes, moving back and forth from the author's bad old days to the present. Tracking his own strange and unexpected voyage from journeyman cook to globe-traveling professional eater and drinker, and even to fatherhood, Bourdain takes no prisoners as he dissects what he's seen, pausing along the way for a series of confessions, rants, investigations, and interrogations of some of the most controversial figures in food.
- Sales Rank: #789595 in Books
- Published on: 2015-07-21
- Formats: Audiobook, CD
- Original language: English
- Number of items: 8
- Dimensions: 5.70" h x 1.00" w x 5.10" l,
- Running time: 32340 seconds
- Binding: Audio CD
- 1 pages
From Bookmarks Magazine
No one really expected Bourdain to top his wildly popular Kitchen Confidential, even Bourdain himself: several critics wrote that he seems alternately awed and appalled by his own celebrity. Those parts of Medium Raw--more of a collection of essays than a streamlined narrative--that seemed to grow out of that celebrity, such as Bourdain's feuds with food critics and celebrity chefs, impressed reviewers the least. But they still found much to savor, particularly Bourdain's biting personality, his own humorous self-deprecation, his ability to bring out the unknown elements of the restaurant industry, particularly the kitchen and service staff who might otherwise be ignored, and, not least of all, the well-written (if often vulgar) and compelling stories. In the end, though Medium Raw will best be appreciated by foodies, it is "generally an entertaining read, compelling more for [Bourdain's] passion than his mean streak" (Kansas City Star).
From Booklist
Bourdain, who broke into the collective food consciousness with Kitchen Confidential (2000) and has since cemented his place as one of our foremost food commentators, offers the kind of book you can write only if you’ve achieved the level of fame at which you can assume that people care about about whatever you have to say (which they do, and should): a loose, sometimes repetitive, always entertaining, and even at times enlightening collection of food-related ramblings and name-naming hit-pieces. The result is more or less the book equivalent of finding yourself sharing plates at a communal table with a chatty, witty, unapologetically profane, knowledgeable and well-connected member-observer of the restaurant big leagues. If, like him, you see the world’s greatest chefs as somewhere between rock and porn stars, there’s no way you wouldn’t spend hours listening to him chew your ear off with stories of that coke-fueled weekend (or was it a month?) trapped on an island with the world’s most insufferably wealthy food posers and with diatribes on how annoying Alice Waters is and how critic Alan Richman is a “douchebag” (the nicer of the two things Bourdain calls him) for trashing the New Orleans food scene with the city still reeling from Katrina—and then turn on a dime to deliver an impassioned ode to Vietnamese pho and an admiring portrait of perhaps the world’s finest fish-portioner at Le Bernardin. It might have been a narcissistic, condescending, and overly insiderish collection if it weren’t for Bourdain’s consistently disarming self-awareness that he’s “the very picture of the jaded, overprivileged ‘foodie’ (in the worst sense of that word) that he used to despise.” On seeing himself through the eyes of a hungry young chef who still has to actually cook just to barely survive, he says, “Look at me and my nice fucking jacket, standing there all famous and shit.” Sure, others may cook better than he does, but no one can dish like he can. --Ian Chipman
Review
“Bourdain has insight, access and good taste, and he’s a naturally engaging writer...Bourdain is a hopeless romantic when it comes to food and the people who cook. The subtitle’s real valentines are two elegantly written profiles.” (New York Times Book Review)
“Like a stinky fish sauce from his beloved Vietnam, [Bourdain’s] appeal among the food die-hards has only grown stronger and more pungent over time, and this book will only solidify that adoration.” (Austin American-Statesman)
“This is Bourdain at his best. His food-porn vignettes are guaranteed to make your mouth water.” (Miami Herald)
“Compulsively readable.” (New York Magazine's Grub Street)
“The food orbit is [Bourdain’s] element, and chapters on today’s leading figuresfrom chef David Chang to critic Alan Richmandisplay his access, outspokenness and comedic gifts.” (Wall Street Journal)
“The KITCHEN CONFIDENTIAL author is a father now, but he hasn’t cleaned up his language, lost his zesty appetite or his critical zing.” (Time Magazine)
“Bourdain is back with more intriguing food fights, moving further from the kitchen into the eating industry. [Bourdain’s] dissections...are still as hilarious, as scatological and as spot-on as ever....his fareand his proseis still quite spicy.” (BookPage)
“Full of things everybody in the food world thinks but nobody will say...If [Bourdain’s] sharp eye and his wicked tongue have brought him acclaim, what’s kept him in the spotlight is his heart. Like Oscar Wilde, he’s a moralist in the guise of a libertine. Long may he prosper.” (Denver Post)
“Mr. Bourdain is a vivid, bawdy and often foul-mouthed writer. He thrills in the attack, but he is also an enthusiast who writes well about things he holds dear.” (Wall Street Journal)
Most helpful customer reviews
7 of 7 people found the following review helpful.
A heady dive into the mechanisms that motivate Anthony Bourdain
By Peter Post III
First off, it should go without saying that people love Anthony Bourdain. His ineffable command of language drives the reader onwards making no attempt to soften the message nor dumb-down the Chef jargon.
Bourdain speaks from his heart and speaks about what he knows, and he knows chefs. He knows what good food is and what good food isn't. He's a rogue, a "devil may care" romantic with a clear disdain for application of doing anything in life without passion.
He pulls no punches when expressing his opinion about any dining experience whether friend or foe and in doing so likely upset a lot of people in the industry. With a brute force he manages to shine an amiable light on his perceived villains in a manner that still displays a redeeming respect.
I could go on and on about the many virtues of this book and Anthony Bourdain himself but if you got this far into my review chances are you are already familiar. A great 5 hour read with many whimsical trappings.
6 of 6 people found the following review helpful.
Smarmy and self absorbed ... but still entertaining and a great writer
By WorldTravelr
Honestly, I don't know why I read Bourdain's books ... he is smug and smarmy and uses the curmudgeon role to do all the things we all wish we could do with our lives. But damn, he is a good writer. It is clear that he paid as close attention in English class as he did in culinary school because Tony writes with the same talent that he used to cook (apparently). Blending true life with a touch of novella, Tony weaves a tapestry of interesting stories and tales about travel, life and the culinary world. A true sequel, it does mention what has become of some of the characters he last left in the pages of his break out book, Kitchen Confidential.
My favorite chapters were the early ones ... especially his chapter about an ex-girlfriend who was rich, spoiled and sociopathic ... which I've experienced more times than I'd care to. I felt that some of the chapters rambled a bit, especially the two chapter long take on Momofuku and it's tempermental chef owner. I honestly had to skip the rest of the chapter several pages into it because it was just going nowhere and was pretty much a flowery tribute that Marc Anthony would have called 'over the top'.
I do love Tony's use of prose and cursing ... it makes the book entertaining and after a while the curmodgeon thing starts to get grating and it's almost like Tony reads your mind and switches to humble mode for a page or two. This is a guy who plays the whole 'I can't believe I am famous!' card and means it ... but at the same time, he knows how amazing his life turned out to be and how jealous most of the readers are about his many travels, riches and fame.
I see this book not as a literary work of art but more of a combination of a way to pad the bank account and get some free stream of conscious therapy by Tony. This book skips around like a .22 caliber bullet at close range. It seems like there is no real organization ... a few funny personal stories, followed by a list of Tony's most influential restaurantaurs, a rehash of Kitchen Confidentail and then a detailed self personality analysis. Seems like the type of book that someone bangs out in a week because the advance has already been spent and the deadline is getting closer. Not to say that each word isn't agonized over because it is clear that Tony is a wordsmith of the utmost magnitude. But don't expect more than it is, which is stream of consciousness Hunter S. Thompson style gonzo/rebel musings.
5 of 5 people found the following review helpful.
Interesting Introspection
By Daniel Di Bartolo
This book is one third beautiful food prose, one third autobiography, and one third therapy session. This is a solid offering from Bourdain, but suffers from occasional confusion about its overarching thesis. One moment he's describing the taste of a raw oyster, one moment he's pouring his (apparently damaged) heart out to you about his deep personal issues. Some of Bourdain's best food writing can be found here, but the book lacks a coherent structure and theme to tie it together. I firmly believe that in 100 years, people will still be reading Bourdain- and they'll look at this book as a transitionary offering between a young, angry Tony and an older, refined, more nuanced writer and personality.
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