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Basic Perspective Drawing: A Visual Approach, by John Montague
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The best-selling guide…now completely updated to include online tutorials!
Basic Perspective Drawing introduces students, both those in formal design courses and self-learners, to the basic principles and techniques of perspective drawing. Clear and accessible illustrations show how to construct perspective views one step at a time. The new, streamlined Sixth Edition contains must-have content for students and instructors in art and design, architecture, and interior design programs. Updated illustrations reflect the most current drawing styles and examples while supplementary tutorial videos, grouped by architectural disciplines, interior design, and studio art/illustration, provide live-action demonstrations of key topics discussed in the book.
- Sales Rank: #143429 in Books
- Published on: 2013-01-29
- Original language: English
- Number of items: 1
- Dimensions: 10.90" h x .74" w x 8.50" l, 1.74 pounds
- Binding: Paperback
- 288 pages
Amazon.com Review
Four Stages of An Interior Perspective Drawing [Click Images to Enlarge] Stage 1
From the Back Cover
Master the art of perspective drawing with an updated edition of this bestselling guide
Basic Perspective Drawing, Sixth Edition gives artists, illustrators, designers, and architects an accessible guide for developing a firm and thorough grasp of the important principles and techniques for perspective drawing. Logically moving from simple concepts to specific tools and methods, the book provides clear step-by-step illustrations on how to construct perspective views with graphic examples covering every part of the process.
With the same attractive, easy-to-follow style that made previous editions so popular, the new, streamlined Sixth Edition contains must-have content for students and instructors in art and design, architecture, and interior design programs. Illustrations are updated to reflect the most current drawing styles and examples, and supplementary tutorial videos provide live-action demonstrations of some of the key topics discussed in the book.
About the Author
John Montague, PhD, is Professor Emeritus of Design and Technology at Buffalo State College in Buffalo, New York.
Most helpful customer reviews
10 of 10 people found the following review helpful.
Skews More Towards Architectural Drawing But Useful for Fine Artists
By frankp93
I studied technical drawing in high school and early on considered architecture as a career. While I'm familiar with many of the concepts and techniques in `Basic Perspective Drawing' my interest in the subject these days definitely leans more towards fine art. The book I learned the most from was Perspective In Art by Michael Woods back in the 80's; more recently I enjoyed Freehand Perspective and Sketching by Dora Miriam Norton (a Dover reprint of a work first published in 1908).
Both titles addressed the reader as a fellow artist, someone interested in traditional representational drawing and painting. The geometry was kept to a minimum, with an emphasis on the visual rather than the calculated abstract. The illustrations appeared largely hand-drawn: landscapes, buildings, still life, and portraiture - the standard subject matter of a mainstream art education.
`Basic Perspective Drawing' presents certain elements in a similar way, but overall has a very different point of view. It addresses the architectural and commercial draftsman and designer looking to create and illustrate elevations, interiors, and other modeled structures, populated by people, flora, and various mechanical objects.
That's not to say a fine artist won't find much of value in here: the opening discussion on Cone of Vision was fascinating and something I've not seen covered in other art-oriented books. These days drawing and painting use a visual language that's far more flexible, less-representational, and influenced by technology than it was 100 years ago. Illustrative techniques such as paraline drawing covered here have effectively be applied to art drawing and painting.
Overall there is more of an emphasis on the geometry in 'Basic Perspective Drawing': angles, directional and horizon lines, and surface projections, more than in more art-oriented books. But it's nothing to shy away from if math isn't a strong point.
The appearance of some of the subject matter: the blocking in of human figures, shadow formulas and interior grid surfaces clearly point toward commercial art, but there are sections on freehand drawing with examples that look more like what you'd expect to see in art-oriented books.
The layout clearly feels like a textbook - down to the suggested lesson plan in the appendix - and many of the illustrations have a precision that can be off-putting to those who find expression and emotion in the random play of line and shading. But again, the information is solid, the writing very clear and not excessively verbose or technical, and the book has a comfortable size (about 11 x 8 � landscape-oriented) that`s easy to browse and keep open on a desk.
I guess it's only fitting to say about a book on perspective that it comes down to your point of view:
If you want an in-depth discussion that doesn't avoid the numbers and you're comfortable with an orientation towards commercial art and architecture, you'll enjoy `Basic Perspective Drawing'. On the other hand if you want to see more illustrations of perspective techniques in historical paintings and art drawings, there are other titles out there that may better suit you.
6 of 6 people found the following review helpful.
Fascinating in more ways than one
By Aaron Silverman
My drawing skills are nonexistent, although I am interested in art and in physics. My wife is an interior designer and is skilled at architectural drafting (and at artistic drawing and sketching, for that matter). We're both fascinated by this book. For me, it helps me to understand what I'm looking at when I view art or architectural drawings. For her, it's a practical guide for enhancing drafting skills.
It uses a great combination of text and images to get its points across. Too much text would be a slog, while simple illustrations wouldn't provide enough guidance, and this book strikes a perfect balance between the two.
A lot of people buy this book because it's required for a class, but it has value for anyone interested in its topic. It's not simply a textbook.
8 of 9 people found the following review helpful.
Not kidding when they say a visual approach
By DelusionalAngel
When they say this book takes a visual approach, they mean it. This book is image heavy, which in my mind is a big yay. I've seen some art reference / tutorial type of books that are 90% text and that just annoys me. If ever there is a subject where you want more images to help you out, it's art reference. In fact the only reason I can't give this 5 stars is because the book seems to have taken the visual approach to the other extreme, giving a few lines of explanations of what can be complicated layouts. I'm all for dumbing things down (yes please!) but in trying to shorten things down so much, some things actually end up sounding maybe even more complicated than they are and then while you're sitting there scratching your head over what in the heck they're saying, well, it's sort of like did you get that, let's move on to the next part. That, however, is where the visual aspect saves it. It does do the visual aspect very well. The Appendix especially, which has no text, is very useful showing a image breakdown (usually 4 or more "step by step" examples of a picture as it is being drawn).
For people, like me, who find that perception is the greatest enemy when drawing, this is a useful tool. Not quite perfect but definitely a good starting point.
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