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The definitive guide to digital engineering--fully updated
Gain a thorough understanding of digital audio tools, techniques, and practices from this completely revised and expanded resource. Written by industry pioneer and Audio Engineering Society Fellow Ken C. Pohlmann, Principles of Digital Audio, Sixth Edition, describes the technologies behind today's audio equipment in a clear, practical style. Covering basic theory to the latest technological advancements, the book explains how to apply digital conversion, processing, compression, storage, streaming, and transmission concepts. New chapters on Blu-ray, speech coding, and low bit-rate coding are also included in this bestselling guide.
- Learn about discrete time sampling, quantization, and signal processing
- Examine details of CD, DVD, and Blu-ray players and discs
- Encode and decode AAC, MP3, MP4, Dolby Digital, and other files
- Prepare content for distribution via the Internet and digital radio and television
- Learn the critical differences between music coding and speech coding
- Design low bit-rate codecs to optimize memory capacity while preserving fidelity
- Develop methodologies to evaluate the sound quality of music and speech files
- Study audio transmission via HDMI, VoIP, Wi-Fi, and Bluetooth
- Handle digital rights management, fingerprinting, and watermarking
- Understand how one-bit conversion and high-order noise shaping work
- Sales Rank: #524642 in Books
- Published on: 2010-10-07
- Released on: 2010-09-16
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x 1.12" w x 7.40" l, 2.58 pounds
- Binding: Paperback
- 816 pages
From the Back Cover
THE #1 BEST-SELLING BOOK ON DIGITAL AUDIO ENGINEERING
This definitive text provides comprehensive coverage of today’s leading digital audio technologies as well as a thorough survey of fundamentals and theory. Written by well-known audio engineering expert and best-selling author Ken Pohlmann, four previous editions have been valued for their clear explanations and have been widely used as college texts and professional references. The fifth edition of Principles of Digital Audio has been extensively updated and revised to reflect ongoing widespread changes in the audio industry.
Beginning with an in-depth discussion of digital audio recording and reproduction, the text then details perceptual low bit-rate coding, CD and DVD disc formats, digital audio broadcasting, internet and network audio, and DSP. From the basic theory to the latest technological advancements, Principles of Digital Audio completely covers this multifaceted field, including topics such as:
- MP3, AAC, and Dolby Digital audio coding
- DVD playback and recording formats
- PC-based desktop audio systems
- 5.1-channel surround-sound coding
- HD Radio and satellite radio
- Music downloading and streaming
- Digital signal processing
ALL THE ESSENTIALS OF DIGITAL AUDIO
* Sound and Numbers * Fundamental Theory * Digital Audio Recording * Digital Audio Reproduction * Error Correction * Digital Audio Tape * Optical Disc Storage * Compact Disc and SACD * Recordable CD * Interconnection * Perceptual Coding: Theory and Applications * MPEG-1 and MPEG-2 * MP3 Codec * MPEG-4 and AAC * Psychoacoustic Models * Surround Sound Coding * Lossless Coding * DVD-Video and DVD-Audio * Recordable DVD * HD-DVD and Blu-ray * Minidisc * Desktop Audio * Network Audio * Downloadable and Streaming Internet Audio * File Formats * Digital Rights Management * Watermarking and Encryption * MPEG-7 * Digital Radio and TV Broadcasting * HD Radio * Satellite Radio * Digital Audio Workstations * Digital Signal Processing: Theory and Applications * Sigma Delta Conversion and Noise Shaping
About the Author
Ken Pohlmann, a professor emeritus and former director of the Music Engineering program at the University of Miami, is a consultant for audio manufacturers. He is the author of several audio engineering books and is a monthly contributor to Sound & Vision magazine. Pohlmann chaired the Audio Engineering Society's International Conference on Digital Audio, and co-chaired the International Conference on Internet Audio.
Most helpful customer reviews
47 of 47 people found the following review helpful.
Good reference for electronics engineers
By calvinnme
First off, this book is in its fifth edition, and Amazon has lumped together reviews of all editions of this book. So the oldest review shown, written in 1998, is speaking of the 3rd edition, and reviews written prior to 2005 are talking about the 4th edition.
This book is more about the principles of digital audio hardware design than anything. The author, also a college professor, starts with the absolute beginning and the binary number system, sampling, quantization, aliasing, and dither and then moves into all of the topics that you need to design and analyze modern digital audio systems. However, if the information in the first two chapters is news to you, chances are the rest of the book will be over your head. The book is full of flow charts, frequency response diagrams, and detailed block diagrams of actual systems. What it is lacking in is any kind of signal processing mathematics to explain the detailed theory behind what is being covered. There is a chapter entitled "Digital Signal Processing", but it barely introduces and defines the terms. It does show some assembly code for performing some simple filtering tasks, though, but that's the extent of the coverage. If you didn't know DSP before you read this chapter, you certainly won't know it after you read this chapter. The book does a pretty good job of discussing some of the more popular audio standards including MP3. I think this book is best suited for someone with an electronics/electrical engineering background that already knows the theory of digital signal processing and wants to apply that knowledge to the actual design and analysis of digital audio processing systems. Amazon shows the table of contents from the 4th edition, so I show the detailed table of contents for the 5th edition here:
Sound and Numbers
Fundamental Theory
Digital Audio Recording
Digital Audio Reproduction
Error Correction
Digital Audio Tape
Optical Disc Storage
Compact Disc and SACD
Recordable CD
Interconnection
Perceptual Coding: Theory and Applications
MPEG-1 and MPEG-2
MP3 Codec
MPEG-4 and AAC
Psychoacoustic Models
Surround Sound Coding
Lossless Coding
DVD-Video and DVD-Audio
Recordable DVD
HD-DVD and Blu-ray
Minidisc
Desktop Audio
Network Audio
Downloadable and Streaming Internet Audio
File Formats
Digital Rights Management
Watermarking and Encryption
MPEG-7
Digital Radio and TV Broadcasting
HD Radio
Satellite Radio
Digital Audio Workstations
Digital Signal Processing: Theory and Applications
Sigma Delta Conversion and Noise Shaping
12 of 14 people found the following review helpful.
An Excellent Compromize Between Theory And Practice
By A Customer
This book is an excellent primer for current technology in digital audio systems. He keeps the obscure mathematics to a minimum, and introduces you to the great amount of technique available in the field today. I found this book, 1st edition, in the library -- and soon after bought the latest edition. An excellent value for the money, and useful to anyone trying to keep up with the digital techniques.
13 of 16 people found the following review helpful.
He was wrong....happily
By Armando E. Pattroni
Professor Pohlmann tried to frighten us in the 1995 edition, he said: I promise I will never write a fourth edition of this title. After laping up the third edition in two woderful weeks, I had to wait for the decision. In 1999 I was hopelessly desperate, but Mr. Pohlmann left a "loophole in (his) vow", as he claims. So, a new gift came to us. Thanks to him, his dedication, and his talent, audio and electronics engineers have a text that covers the totality of the current science of digital audio. For those who read the previous editions, some obvious changes will come up. Some technologies are dead, because it is impossible to resurrect technnologies that the market or the customers have killed (imagine a book about vinile LPs or Betamax VCRs), and other technologies are very alive. Some new features you will find in this edition: DVD (finally an understandable treaty is in our hands), Internet Audio (very topical), new developments in DSP, and some changes made inside previously written chapters (i.e.: the Hoffmann Coding now is in the DVD chapter). For those who have not read the previous editions, this is a very good start in the science of digital audio. If you read the first four chapters very carefully, you are ready to read every single book on the subject that might fall in your hands. I used to recommend the third edition in my college course at Universidad Nacional de Ingenieria. Now my students are encouraged to acquire this new edition, which is indeed the main textbook for my course. I still think that we need a spanish translation of this book.
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